James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain. Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.  Related Paintings of James Joseph Jacques Tissot :. | Marguerite in Church | Partie Carree | Too Early | Tissot | Faust and Marguerite in the Garden |
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Dirck van Delen
1604-1671 Dutch Dirck van Delen Location Dutch painter. When he married in 1625 he was a citizen of Middelburg, but he settled in nearby Arnemuiden, where he became master of the toll-house. From 1628 until his death he was almost continually a member of the town council, mostly as burgomaster. He was widowed three times and had at least one son, though no children survived him. The inventory of his estate testifies that he was well-to-do.
Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
Wilhelm Busch
1832 Wiedensahl/Hannover-1908,was a German caricaturist, painter and poet who is known for his satirical picture stories. After studying first mechanical engineering and then art in Dusseldorf, Antwerpen and Munich, he turned to drawing caricatures. One of his first picture stories, Max and Moritz (published in 1865), was a huge success. Max and Moritz as well as many of his other picture stories are regarded as one of the main precursors of the modern comic strip. Max and Moritz, for instance, has been an inspiration for the Katzenjammer Kids. Wilhelm Busch also wrote a number of poems in a similar style to his picture stories. Besides that he produced more than 1,000 oil paintings that weren't sold before his death in 1908. He was also active as a sculptor.